Quentin Miller, Associate Professor

D. Quentin Miller

Associate Professor of English
Director, Seminar for Freshmen

41 Temple Street
Department of English
Suffolk University
Boston, MA  02114

 

Office: Fenton 334

Telephone:  (617) 573-8289

E-mail:  qmiller@suffolk.edu

 

Degrees
Ph.D. University of Connecticut, 1996
M.A. College of William and Mary, 1990
B.A. Boston College, 1989

 

Publications

Prose and Cons: Essays on Prison Literature in the United States. (edited collection of essays) McFarland, 2005.

 

Drawing the Iron Curtain: John Updike and the Cold War.  University of  Missouri Press, 2001.

 

Re-Viewing James Baldwin: Things Not Seen (edited collection of essays). Temple University Press, 2000.

 

The Heath Anthology of American Literature, Fifth Edition, (Co-edited, with Paul Lauter, et al).  Boston: Houghton Mifflin, 2006.  Concise Edition  (2005).

 

The Generation of Ideas: A Thematic Reader. Boston: Thomson/Wadsworth, 2005.


The Heath Anthology of American Literature, Concise Edition, (Co-edited, with Paul Lauter, et al). Boston: Houghton Mifflin, 2004.

 

Connections: Critical Explorations of Vice, Virtue, and Human Nature.  (Co-edited, with Julie Nash). Boston: Houghton Mifflin, 2008. (forthcoming)

 

“Playing a Mean Guitar: The Legacy of Staggerlee in Baldwin and  Morrison.” In James Baldwin and Toni Morrison: Comparative Critical and Theoretical Essays, Lynn Orilla Scott and Lovalerie King, eds. New York: Palgrave/Macmillan: 2006 (121-148).

 

 “Updike, Middles, and the Spell of ‘Subjective Geography.’” The Cambridge Companion to John Updike. Stacey Olster, ed.  Cambridge:  Cambridge UP, 2006 (15-28).

 

“Deeper Blues, Or the Posthuman Prometheus: Cybernetic Renewal and the Late-Twentieth Century American Novel.” American Literature. (77.2: June, 2005: 379-407).

 

“‘On the Outside Looking In’: White Readers of Nonwhite Prison  Narratives.” In Prose and Cons, 15-32.

 

“‘A Tyrannically Democratic Force’: The Symbolic and Cultural Function of Clothing in Catherine Maria Sedgwick’s Hope Leslie”.  Legacy: A  Journal of American Women Writers. (19.2:  Spring, 2002: 121-136).

 

 “Introduction” and “James Baldwin, Poet” in Re-Viewing James Baldwin: Things Not Seen. 1-11, 233-255.

 

“‘Making a Place for Fear’: Toni Morrison’s First Redefinition of Dante’s Hell in Sula.” English Language Notes XXXVII, 3: March, 2000: 68-76.


 “Updike’s Rabbit Novels and the Tragedy of Parenthood.” Family Matters in the British and American Novel.  Andrea Herrera, Elizabeth  Nollen, Sheila Foor, eds.  Bowling Green, OH:  Popular Press, 1997,  281-312.

 

“‘A Barrier of Words’: Narrative Voice and Vision in the Writings of Edith Wharton.” American Literary Realism 1870-1910.  Fall, 1994: 11-23.

 

“‘In the Late Summer of That Year’: The Problem of Time in A Farewell to Arms.” The Hemingway Review.  Spring, 1991: 61-65.

 

Courses Taught
Seminar for Freshmen 139: “From Walden to Woodstock: Edens, Utopias, and Paradises in American Culture.”
Eng 101 and Eng 102 (First-year Composition)
Eng 215 (American Literature)
Eng 216 (World Literature in English)
Eng 361 (Contemporary American Fiction)
Eng 370 and Eng 470 (Fiction Writing Workshop I & II)
Eng 385 (U.S. Prison Literature)

 

Personal Webpage

http://webcas.cas.suffolk.edu/miller/index.html